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Writer, curator, art historian
MA Curatorial Practice
Education

BA, SUNY at Purchase; Whitney Museum Independent Study Program; New York University; CUNY Graduate Center


Professional experience includes

Editor, publisher, Acme Journal


Curatorial projects include

“Dark Places,” Santa Monica Museum of Art, CA; “Tele[visions],” Kunsthalle, Vienna; “Transmute,” Museum of Contemporary Art, Chicago; “Exterminating Angel,” Galerie Ghislaine Hussenot, Paris; “Cathode Ray Clinic #1,” Apex Art; “Screen,” Friedrich Petzel Gallery; “Don’t Look Now,” Thread Waxing Space; “Heaven-Private View/Public View,” “(C)Overt,” “Juxtapositions: Recent Sculpture from England and Germany,” P.S. 1 Contemporary Art Center


Books include

Art is a Problem: Selected Criticism, Essays, Interviews and Curatorial Projects (1986-2012); co-author, Exhibition as Social Intervention: ‘Culture in Action’ 1993


Catalog essays include

The Bonvicini Factor; Playing Along with Ana; Cultural Tourism in Jardins; Interpretation: The Contingency of Things; Dark Places: A Phantasmagoria of Multiple; Art and Fictitious Capital: The Gift that Keeps on Re-Giving; Creative Labor: Inventing a Better Life


Publications include

Artforum, Mousse, The Exhibitionist, Texte zur Kunst, Parkett, Flash Art, Purple


Awards include

National Endowment for the Arts, Peter Norton Family Foundation