Critic, curator
Honors Program Art History


Certificate, School of Visual Arts; MFA, University of Massachusetts, Amherst

Professional Experience

Environmental chair, Visual Arts & Tech Department, Cleveland Institute of Art; art editor-at-large, Bomb; editor, Critical Voices Series; consulting editor, University of Minnesota Press; editorial board, College Art Association

Curatorial works include

“The Gravity of Sculpture,” Dorsky Projects; “The Lure of Paris,” Loretta Howard Gallery; “Color in 3D: Made, Found, and Readymade,” Westport Art Center; “Modeling the Photographic: The Ends of Photography,” McDonough Museum of Art

Publications include

Flashback: Re-viewing Judy Chicago 1964-1971; To Scale: The Work of Mia Westerland Roosen; Bill Bollinger: Continuous and Segmented Texts; Building a Critical Model; Bomb

Residencies include

Stone Theory Institute, Banff Center, Caldera Foundation