Presented by BFA Visual and Critical Studies

The Object Speaks

November 3 - December 1, 2022
An Exhibition of Paintings by Mary Jo Vath
Painting of a yellow feathered vest with a zipper down the middle against a gray background

Mary Jo Vath, Chicken Costume, 2009, oil on linen.

Credit: Mary Jo Vath

Reception

Thu, Nov 3; 6:00 - 8:00pm

BFA Visual & Critical Studies presents “The Object Speaks,” an exhibition of recent paintings by artist and SVA faculty member Mary Jo Vath in the SVA Flatiron Project Space from Thursday, November 3, to Thursday, December 1. The exhibition is curated by BFA Comics and BFA Illustration Chair Emeritus Thomas Woodruff.


The curator’s statement follows:


“In Mary Jo Vath’s idiosyncratic oeuvre, her ‘still lives’ are truly still, and conjured with an almost alien eye. Her subjects are painted as if they have never been seen before. The rendering is often off-kilter, the spaces charged yet inert. She uncannily pulls her images into the realm of allegory, if one looks closely enough, and reflects upon her quirky choices of inspiration.


“Vath’s agenda is visually subversive, for at first glance they appear as just some pretty pictures of things. But then, almost like devotional icons, their meanings are strangely amplified. Unlike the traditional Dutch and Spanish parameters of the genre, usually made for clever displays of verisimilitude; or the modern conventions of still life, where apples and jugs are employed as raw material for formalistic exercises, Vath utilizes the power of the isolated image as poetic metaphor. Her enigmatic, wryly deadpan paintings never fail to burn a big ol’ hole in my head.


“‘Objects speak directly to me,’ Mary Jo Vath writes. ‘I don’t always know exactly what is being said, but I adopt the thing, and bring it home to my studio and throw some light on it. The painting is our further conversation, where the actual reality of the object and my chaotic perceptions make friends. I am not interested in the facts, I am after the magic.’


“The results are indeed otherworldly: An inflatable pool toy swan can become decidedly menacing. A rubber cobra puppet is made mythic without its animating hand. A child’s “Big Bird” costume transforms into an Aztec deity. A cheap purple wig attains a melancholic gravitas. 


“Most of the recent works included in this ‘cabinet of wonders’ were created during a difficult time in the artist’s life, during the long illness and then passing of her beloved husband. The serene surfaces with their golden orbs, silver shoes and gay Day of the Dead costumes have a pentimenti of grief hidden beneath. The paintings always reveal more than what one expects. The objects speak volumes.”


Public viewings of the exhibition are by appointment only. Please click here to RSVP.

  • The Flatiron Project Space

Free and open to the public