Matthew Deleget
Visual artist, gallerist, curator, writer, educator, arts worker
Education
BA, Wabash College; MFA, MS, Pratt Institute
One-person exhibitions include
Philip Slein Gallery, St. Louis, MO; Peter Blake Gallery, Laguna Beach, CA; Alejandra von Hartz Gallery; Cress Gallery of Art, University of Tennessee, Chattanooga
Group exhibitions include
Whitney Museum of American Art; Museum of Modern Art PS1; Project Space, Amsterdam; Bronx Museum of the Arts; Herbert F. Johnson Museum, Cornell University, Ithaca, NY; drj art projects, Berlin; Bass Museum of Art; Miami; Indianapolis Museum of Art, IN; Schneider Museum of Art, Ashland, OR
Collections include
Saint Louis Art Museum, Stiftung Konzeptuelle Kunst, University of Tennessee, Fidelity Investments, Cohen Brothers Realty
Publications includes
Art Newspaper, New York magazine, Domino, Art in America, Flash Art, Brooklyn Rail, Artforum, Hyperallergic, Artnet, Huffington Post, Art21, The New York Times, artcritical, Philadelphia Inquirer, Artsy, Two Coats of Paint, Whitewall, ARTnews, New Criterion, Time Out New York, Wall Street Journal, Bomb
Books and catalogs include
Rose: A Color Struggling with Gender; Art/Work: Everything You Need to Know (and Do) As You Pursue Your Art Career; The Artist as Culture Producer: Living and Sustaining a Creative Life; Russell Maltz; Color Seminar. Catalogs include: Painting Black; Dual Current: Inseparable Elements in Painting and Architecture; Notations: The Cage Effect Today; FutureShock OneTwo; Gabriele Evertz: Path; Splendor of Dynamic Structure; Mark Dagley: Shaped Canvas, Selections from 1987; Gabriele Evertz: Color Relativity; Robert Swain: Visual Sensations, The Paintings, 1967-2010; Joan Witek: Paintings from the 1980’s
Curatorial projects include
“Out of Line,” Colección Patricia Phelps de Cisneros, MINUS SPACE; “Escape from New York,” Project Space Spare Room, Royal Melbourne Institute of Technology University; “MINUS SPACE en Oaxaca,” Biblioteca Henestrosa, Instituto de Artes Gráficas de Oaxaca; “Breaking Pattern,” Schneider Museum of Art, Southern Oregon University; “SUM Artists: Visual Diagrams & Systems-Based Explorations,” Ruth and Elmer Wellin Museum of Art, Hamilton College
Awards and honors include
Hassam, Speicher, Betts, and Symons Purchase Fund, American Academy of Arts and Letters; AIM Fellow, Bronx Museum of the Arts; CUE Art Foundation; Brooklyn Arts Council; Golden Rule Foundation