Art critic, painter, curator, art historian, poet
Art History


BA, University of Redlands; MFA, University of Massachusetts; EdM, Northeastern University; PhD, New York University

Books authored, edited

A Hans Bellmer Miscellany; Conceptual Art: An American Perspective; Between Modernism and Conceptual Art; Art Into Ideas: Essays on Conceptual Art; The End of the Art World; Gary Hill; Bruce Nauman; Clement Greenberg: Late Writings; Vasarely; The Artist and Globalization

Curatorial works include 

“Six Artists and the Visual Score,” Visual Studies Workshop, Rochester, NY; “Samadhi,” Chelsea Art Museum; “Allan Kaprow, Komar and Melamid, Artist Books,” Edwin A. Ulrich Museum of Art, Witchita, KS; “The Gesture,” Heidi Neuhoff Gallery; Lodz Biennial; “The Optical Edge,” Pratt Manhattan Gallery; “Semiosis,” China Square

Publications include

Art in America, The Village Voice, ARTnews, Sculpture, Art Journal, Tema Celeste, Brooklyn Rail, Asian Art News, Yishu

One-person exhibitions include

Millennium Film Workshop; Institute of Contemporary Art, Boston; Erik Stark; Artists Space; Jan Turner, Los Angeles; Anthology Film Archives; Gaya Fusion, Bali, Indonesia; Björn Ressle Gallery; Sideshow Gallery

Awards include

National Endowment for the Arts, National Endowment for the Humanities, Arcala Award, Fulbright Senior Scholar, Edward F. Albee Foundation, Greenburger Foundation Grant, European Academy of Sciences and Arts