General Course Listing

AHD-1170

Animation: From Paper to Pixels

One semester: 3 art history credits

Animation milestones will be screened and examined in this course. We will begin by studying the work of pioneer animators, such as Winsor McCay, Disney and Fleischer, then focus on special topics from later periods, eventually concluding with CG’s impact on the art form and industry. Students will view both rare and significant animated films that have influenced the direction of animation for well over a century.

AND-1020

Introduction to Animation I

One semester: 3 studio credits

This course is an introduction to the principles of animation with hands-on and in-class exercises that explore the process of animation creation from paper to pixel. Basic concepts will be examined, including keys, break down, in-betweening, squash and stretch, anticipation, character design and walk cycle—all of which are the building blocks of animation filmmaking. Drawing skills will be emphasized throughout the first year to build foundation skills.

AND-1025

Introduction to Animation II

One semester: 3 studio credits

This course is a continuation of AND-1020, Introduction to Animation I. Students will further explore the principles of animation and refine their skills through weekly assignments and exercises. As the course progresses, these principles will be applied to the filmmaking process, and students will script, design, direct and produce short animated films through working individually as well as collaboratively. Emphasis is placed on craft, conceptual and aesthetic ingenuity, and cohesiveness of story.

AND-1060 / AND-1065

Drawing I and II

Two semesters: 3 studio credits per semester

Focusing on the fundamental elements of line, space, scale and texture, as well as topics that include anatomy, color theory, perspective and observation, these courses will provide a framework for students to translate what they see to how they convey it through the act of drawing. Pencil, charcoal, pen-and-ink and watercolor will be among the materials explored. Projects will range from the figure to nature and still life, and field trips will include drawing on location.

AND-1140

Story I: Theory and Structure

One semester: 3 studio credits

This course will examine the basic structure and principles of what makes a good story. Assignments will explore elements of art direction, cinematography, staging, character design, lighting, timing, and many more facets of narrative. We will address film theory and the production process in order to understand storytelling from a variety of perspectives, and students will discover how to make their animated worlds believable.

AND-1145

Story II: Storyboarding

One semester: 3 studio credits

This course is a continuation of Story I: Theory and Structure. Through lectures, discussions and presentations, students will dive into the development of their own stories—learning by creating. They will pitch ideas to the class, create storyboards, and complete an original pitch book that includes synopsis, script, character design, storyboard, background designs and concept art. Students will also develop critical thinking and clear articulation of their concepts, as well as how to give and receive constructive criticism.

AND-1230

Digital Compositing

One semester: 3 studio credits

Digital animation production is the focus of this course, and students will investigate the tools, techniques and concepts that are essential to creating animation. Topics include camera movement, puppet animation, effects, compositing and layout. Demonstrations and assignments are geared to introduce students to a range of software applications as well as gain production experience. The primary applications will include Adobe Animate and After Effects.

HCD-1020

Writing and Thinking

One semester: 3 humanities and sciences credits

This first-semester course helps students become critical and independent writers. To help establish a solid foundation in writing, the course introduces different types of writing using persuasive rhetoric in three writing genres, including narration, description, and cause and effect. Course readings are drawn from a variety of texts, including historical documents, short stories, drama, poetry and essays, which will be used as discussion and writing prompts. By the end of the course, students will have an enhanced understanding of writing as a means to think and better communicate their ideas.

HCD-1025

Writing and Literature

One semester: 3 humanities and sciences credits

This course emphasizes reading, critical thinking and essay writing. Students will build on their skills acquired in HCD-1020, Writing and Thinking, in order to work on more complex essays. Students will learn how to research, use proper citations, and continue to work on their grammar and essay development. Readings are drawn from a selection of literary works, including drama, poetry and the narrative, as well as the critical essay.

AND-2010

Animation Workshop I

One semester: 3 studio credits

This course will introduce the animation production pipeline from preproduction through postproduction. Students will research and develop stories with well-rounded characters and environments and then build upon their drawing skills by animating characters and creating believable worlds. Screenings, discussions and in-class exercises are planned throughout the semester and students will prepare to make their own animated shorts.

AND-2015

Animation Workshop II

One semester: 3 studio credits

Building upon the materials covered in AND-2010, Animation Workshop I, this course will focus on the development of advanced animation techniques and apply them to increasingly challenging assignments. Animating within digital formats, as well as proficiency in visual storytelling, timing and craftsmanship will be emphasized. Students will produce, develop and complete a short, animated film.

AND-2090

Perspective Drawing

One semester: 3 studio credits

Perspective drawing skills are essential for creating depth in images. Through lectures, demonstrations and assignments, this course will give students a thorough understanding of the fundamental principles of perspective and their creative applications. Topics will include: methods of measurement, inclines, ellipses, plastic forms, shadows and reflections. Students will show works-in-progress for critique throughout the semester.

AND-2112

Gesture Drawing

One semester: 3 studio credits

This course will strengthen each student’s drawing skills by combining observation with action sketches of people and animals in motion and repose. Such quick sketching of figure and action helps to master drawing skills that include flexibility, anatomy, silhouetting and foreshortening. The goal of gesture drawing is to create active poses that emphasize variety and personality, and pave the way to lively representations, all of which are important elements to enhancing the overall storytelling.

AND-2114

Sonic Storytelling

One semester: 3 studio credits

This course explores the foundations of sound in animation through practical and theoretical applications, examining how audio and visuals complement one another to reinforce the magic of storytelling. Through a combination of lectures, discussions, guest speakers, in-class critiques and exercises, students will examine the foundations of audio techniques and how to apply them to animation projects. Students will complete this course with an appreciation of the critical function of sound and a familiarity with the tools necessary to execute an animated story.

FID-2120

Anatomy I

One semester: 3 studio credits

This course will begin with the skeleton, and students will learn about and internalize the structure, form and movement of the body in an effort toward making more informed drawings of the live model. A portion of the course will focus on the comparative anatomy of animals.

AND-2167

Storyboarding for Animation

One semester: 3 studio credits

Story is one of the most important aspects of a film. It is the backbone and structure that carry the entire flow of a film, as well as connecting all the characters into one plot. In this course students will create storyboards for animated films as they explore continuity, composition, camera placement and framing choices along with basic story structure and character delineation. In storyboard form, plots, situations and conflicts will be developed. The entire process, from rough sketches to a finished presentation, will be covered by using Toon Boom Storyboard Pro.

AND-2168

Pitching Commercial Storyboards

One semester: 3 studio credits

Storyboarding your idea is one thing; professionally and competitively selling your concept through a pitch presentation is entirely different—and inevitable necessary to your future careers. In this course storyboard development is created through personally selling the story, rather than just storyboarding it. Workshop exercises will include presenting pitch boards for a range of industries, such as animation and TV advertising. In addition, students will get a thorough education in storyboarding methods, terms and patterns using Toon Boom Storyboard Pro.

AND-2169

Straight to Series: New Media and TV Writing

One semester: 3 studio credits

The foundations of writing serialized, narrative scripts for new media and television will be examined in this course. Through ideation and peer-reviewed collaboration, students will explore how to develop complex characters, stories and compelling dialogue, as well as proper script formatting, the importance of deadlines, and the art of giving and receiving feedback. Each student will develop and write a short-form pilot (7 to 11 minutes in length), along with the first draft of a half-hour pilot for an original TV series. The course is specifically designed to teach students all the tools they’ll need to write dynamic scripts.

AND-2173

Experimental Animation

One semester: 3 studio credits

This course is for students to explore innovative approaches to create animated imagery, including visual technique, compositing, editing, cinematic language and soundscape through handmade-to-digital means. Students will experiment with drawn, painted and under-the-camera animation, such as cut-outs, progressive drawings and paint-on-glass techniques. Additionally, the course will cover editing and compositing in Adobe After Effects, as well as other programs like Adobe Photoshop, Dragonframe, Pro Tools, Logic and GarageBand. Every session will feature a curated screening of animated short films from the historical canon of animation as well as contemporary gems. Assignments include weekly animation exercises and a polished short film, complete with a soundscape.

AND-2177

Stop Motion

One semester: 3 studio credits

The goal for this course is for students to create a short, stop-motion animated film through a hands-on process. Topics will include making a foam rubber model, animating the character by posing one frame at a time, lip-syncing, walking, expressive gestures, timing of animation, overlapping action, and ease in and ease out to ensure smooth movement. Students will go through the entire production pipeline of stop motion filmmaking.

AND-2181

Character Construction

One semester: 3 studio credits

Character construction, including design, fabrication and development, is important to the process of stop-motion animation filmmaking. It has been adapted across the entertainment industry—from film and television to video games and Broadway shows. For students who want to create stop-motion characters, design toys or make specialty costumes, this course covers the process of character construction through sculpting in clay, creating silicone mold, casting in hard plastic, painting and adding details to complete the character.

AND-2182

Miniature Sets and Action Props

One semester: 3 studio credits

In the stop-motion filmmaking process miniature sets and props give the overall story depth and meaning to the world that is being created. Some sets are used strictly as backgrounds to be composited in postproduction, and some are sets for stop-motion animated characters to act in. This course will explore the design process and techniques of both miniature set and prop construction, while also examining the scale of materials and the placement of props to be on cue.

AND-2184

Animation with Comics

One semester: 3 studio credits

Every animator’s craft can benefit from learning the principles of the comic arts. In this course students will produce a series of short-form comics that they will then adapt to animation. Our goal will be to develop a personal voice in storytelling, create original work tailored for social media and enhance static comic work with Adobe Animate, Photoshop and After Effects.

AND-2186

Background Design and Paint

One semester: 3 studio credits

Layout and design skills are essential for creating compelling images that will engage an audience. Through lectures, demonstrations and individual projects, students will examine the principles of composition, camera dynamics and staging guidelines, roughs and finished layouts, value arrangement and color fundamentals, and perspective. Most importantly, students will understand the role of a designer within the animation industry. Projects are designed to replicate actual job assignments and will include developing exterior and interior locations with character placement.

AND-2213

Color Theory

One semester: 3 studio credits

Color theory is essential for creating compelling images that will engage the audience with the story. Through lectures, demonstrations and individual projects, this course will expand each student’s ability to use color and light for animated projects. Topics include light describing form, color wheels, hue, saturation and value, local color, color relationships, lighting and dynamic color to enhance the narrative. Projects include developing color for characters and environments.

AND-2219

Toon Boom Animation

One semester: 3 studio credits

The basics of Toon Boom Harmony and Storyboard Pro will be introduced in this course. Students will begin with an exploration of Harmony’s traditional, paperless animation tool kit and then dive into keyframe-based animation techniques to build simple puppets utilizing Harmony’s parenting system and deformation effects. Midway through the course Storyboard Pro will be introduced where its UI and output options will be examined, and how best to use both applications in a production capacity. Finally, the last leg of the course will bring all of these parts together as students build more complex scenes using Harmony’s 2D/2.5D compositing tools and visual effects.

AND-2247

Adobe Animate

One semester: 3 studio credits

In this course students will explore how to navigate and expertly use Adobe Animate as a tool to create digital 2D animated content. The tools and procedures utilized at the industry-standard level to produce beautiful digital media ready for various platforms will be covered. How to use the drawing tools, motion editing, effects, and export options that Adobe Animate has to offer will be addressed, as well as how these apply these techniques to the medium of animation. Film and television examples, actual studio test and tour, and handouts will be provided.

AND-2316

After Effects

One semester: 3 studio credits

In this course students will gain a solid understanding of basic compositing and animation techniques with Adobe After Effects. The text animation tool, rendering and compression options, importing and compositing image sequences, color correction and basic image manipulation, masks and alpha channels, basic 3D cameras and lighting will all be explored.

AND-2317

Advanced After Effects

One semester: 3 studio credits

Advanced compositing and animation techniques with Adobe After Effects will be covered in this course. Topics include the use of the 3D camera and lighting techniques for both character animation and motion graphics. Students will explore motion tracking, green screen lighting and keying, precomposing and nested compositions, rotoscope techniques, procedural effects, time manipulation, image stabilization, camera tracking and expressions. Cinema 4D will also be introduced.

AND-2321

Drawing Animals in Motion

One semester: 3 studio credits

Many animated films center around characters drawn from the animal kingdom. This course will explore how to capture the intricacies of anatomy and the fluidity of movement. Using pencils, charcoal and watercolors, students will practice the art of drawing animals in motion and on location. Various strategies will be employed to assist the artist to stay within the immediacy of the field situation. Weather permitting, sessions will be held at various New York City zoos, museums and parks.

AND-3010 / AND-3015

Advanced Animation Workshop I and II

Two semesters: 3 studio credits per semester

In these courses students will expand their horizons through collaboration. Students will continue to build upon their skills in animation and storytelling, and apply them to the process of filmmaking through group effort. The goal is to give students the opportunity to see where they best fit in the production pipeline and to think about a variety of specializations in future career paths. Students will work individually on developing, producing and completing an animated short film.

AND-3040

Life Drawing: Figure, Form and Function

One semester: 3 studio credits

The ability to draw the figure and analogous ways to depict the body is essential to any artist. This course is rooted in an organically systematic way to draw, and is based on the anatomical forms and functions of the human body. Students will explore multidisciplinary concepts of structure, design and action through line drawing. A series of anatomically based lectures and demonstrations will be followed by succinct exercises and practices designed to improve observational, analytical and intuitive drawing skills in order to achieve clear 3D ideas in the 2D realm of pencil and paper. By gaining a comprehensive knowledge of the human form and its functions, students will strengthen their ability to invent forms in movement from memory.

AND-3120

Visual Development

One semester: 3 studio credits

Visual development skills are essential for creating compelling images that will engage an audience. Through lectures, demonstrations and individual projects, this course will expand students’ visual vocabulary and sharpen their analytical skills. Topics will include principles of compositions; camera dynamics and staging guidelines for thumbnail sketching, storyboarding and finished concept art; understanding value arrangement and color fundamentals; perspective as an expressive tool; and character design analysis. Projects are designed to replicate professional assignments, such as developing exterior and interior environments with character placement. Works-in-progress will be shown throughout the semester for critique.

AND-3125

Career Strategies

One semester: 3 studio credits

This course is designed to help students identify career goals through discussions on contemporary studios, the production pipeline and reviewing the types of work currently being produced. An overview of the animation industry will be given to offer students practical methods of building an application package, including logo, business cards, portfolio, demo reels, résumé and cover letter. Guest lecturers from the industry will discuss the exciting opportunities in the field of animation.

AND-3137

Creating Unforgettable Characters

One semester: 3 studio credits

In all forms of entertainment, whether TV, video games, novels, or D&D, characters are created, destroyed and reborn from the wellspring of our imaginations. In this course, students will study and design characters that can work in every kind of medium with a strong reliance on drawing skills. We will also be delving into the deep waters of why a character works, what makes them a “person,” and how we can find the root of what makes our favorite character so appealing.

AND-3143

Advanced Story Development and Design

One semester: 3 studio credits

This course is intended for students interested in expanding their command of visual language as it applies to cinematic storytelling through adapting material sourced in literature, comics, illustration and film. Students will look at the history of production design for animation, exploring how timing, design, color and camera angles can be used to enhance the narrative. Projects will include developing storyboards, creating palettes, designing characters, creating environments and building style frames as well as creating a thorough deck. The goal of the course is to broaden each student’s understanding of narrative traditions, as well as increase confidence and versatility in determining elements for eﬀective storytelling.

AND-3172

Developing the Animated Series

One semester: 3 studio credits

The fundamentals of developing, pitching and producing an animated series will be the focus of this course, which will culminate in the creation of a complete, ready-to-pitch series bible. Students will develop their own original concept, building upon the lessons presented through weekly lectures. In addition to the creative development process, we will also address the media landscape, audiences and demographics, the art of pitching, digital and merchandising extensions, deal-making and the basics of series production management. The course will be a combination of lectures, discussions, guest speakers, and in-class critiques and exercises.

SMD-3228 / SMD-3229

Basic Modeling and Animation with Maya I and II

Two semesters: 3 studio credits per semester

Autodesk Maya is widely used in the 3D animation industry and is highly regarded for its modeling, animation and visual effects capabilities. Starting with storyboards, students will then learn modeling, cameras, lighting, surfaces, motion scripting and rendering. Several examples of high-end 3D animation will be demonstrated and analyzed. The second semester will explore Maya’s more advanced tools and capabilities through in-class exercises and assigned projects. Topics include character design, animation, skeletal rigging, dynamics, particles and shading.

AND-3251 / AND-3252

Screenwriting for Animation I and II

Two semesters: 3 studio credits per semester

These courses will prepare students for a career in animation screenwriting and story development. Its objectives are to explore animation screenwriting skills, including cutting-edge story design, innovative world-building, interweaving character-arcs and executing “studio worthy” scripts. Students will acquire firsthand experience developing animation scripts through its various stages, from logline to core cast to thematic question-fueled story structure to executing first drafts, then rewrites and, finally, multi-platform franchising. The entire process of development is important and will be tracked and examined.

AND-3254

Effects Animation

One semester: 3 studio credits

Effects animators supply motion to things that are not characters. This course explores applying principles of force and motion to natural phenomena, such as fire, water and atmospheric conditions. The movement of props, vehicles, and other mechanical devices will also be discussed. Students will execute concepts using both traditional and digital techniques in cartoon and realistic designs.

SMD-3341

Digital Matte Painting with Photoshop

One semester: 3 studio credits

Digital matte painting (DMP) is a field that has been around since the early days of still and moving images. Initially created as paintings on large pieces of glass, the digital revolution has extended the form to levels previously unimagined. In the current climate of heavy visual-effects productions in film, broadcast, the web and video games, the skills necessary to perform quickly and with emotion have become all the more crucial. The beauty of working in digital matte painting is that it employs traditional art skills blended with cutting-edge technology. This course will introduce students to the history of the medium, the philosophy of “style” (photorealistic, non-photorealistic) and the practical applications used to execute a shot.

AND-4013

Advanced Life Drawing

One semester: 3 studio credits

This course is designed to strengthen and reinforce both basic and advanced life-drawing techniques. The art form of animation is based on strong drawing skills and this course strengthen our eye-hand coordination by keeping us sharp. Students will discover how to speed up the production of their projects and provide techniques that reinforce drawing from one’s imagination. An emphasis will be placed on short-duration gesture drawing.

AND-4940 / AND-4945

Thesis I and II

Two semesters: 3 studio credits per semester

The thesis project is a demonstration of original creativity through each student’s own vision and artistic style. By examining their existing body of creative work and knowledge, students will be encouraged to further explore their personal interests in concepts, context, aesthetics and practices. Students will discuss, present and critique each other’s work.

AND-4950 / AND-4951

Thesis Presentations I and II

Two semesters: 3 studio credits per semester

Discussions on special topics and thesis requirements will be the focus of these courses, and students will present their works-in-process to the department chair twice a semester. Visiting artists and technical workshops will complement our discussions throughout the senior year.

Independent Study

One semester: 3 studio credits

Junior or senior students who wish to pursue a special project not covered by the parameters of their department’s curriculum are eligible to apply for an independent study course. Students must have earned a grade point average above 3.00 at SVA, and must submit their study goals as a detailed proposal for approval by the department chair. Proposals for an independent study must be made prior to the course adjustment period for that semester.

Internship

One semester: 3 studio credits

Students can gain valuable experience and broaden their professional network through an internship with an employer. Internships-for-credit are available to juniors and seniors who have earned a cumulative grade point average of 3.25 or better. To receive credit, students must apply online during the designated application period, be approved by the Career Development Office, and registered for the internship by their academic advisor. Students need to work 150 hours during the semester (usually 10 to 15 hours per week), participate in a weekly online course with other SVA interns, and complete midterm and final self-evaluations. Elective studio credit is awarded for the successful completion of an internship. For more information go to sva.edu/career.

Curriculum