Exhibition
MA Curatorial Practice Year-End Exhibitions


Leonardo Madriz, still from Waiting Room, 2020. Video installation. Image courtesy of the artist. On view at “Mirological: The Poetics of Mourning.”
Leonardo Madriz, still from Waiting Room, 2020. Video installation. Image courtesy of the artist. On view at “Mirological: The Poetics of Mourning.”
Pfizer Building
630 Flushing Avenue, Brooklyn, NYReception
Thu, Apr 17; 6:00 - 9:00pm
MA Curatorial Practice presents year-end exhibitions by program fellows.
Each show is on view Thursday, April 17 – Wednesday, April 30, with an opening reception on Thursday, April 17, 6:00 – 9:00pm. The Pfizer Building is open Monday – Friday, 11:00am – 6:00pm, for scheduled viewings. To schedule a viewing appointment, see individual exhibition details.
"Mirological: The Poetics of Mourning"
"Mirological: The Poetics of Mourning" explores this tender and elegiacal subject through the works of artists who have contended with the loss of loved ones, and the consequent sense of self, home, history, and potential futures. Drawing inspiration from mirologia, Greek lamentation songs, the exhibition adopts this colloquial term to describe collective processes of grief and the ways in which artists mold their mourning through their practices. The works on view embody notions of vulnerability, catharsis, and adaptation in the face of loss, and trace notions of collective and individual identity in the shadow of grief and of a society that not only dictates how we must live but also how we must mourn.
This exhibition is curated by Sophia Maria Takvorian.
Artists include Jean Marie Casbarian, Leonardo Madriz, Liliana Merizalde, and Nikolay Karabinovych.
To schedule an appointment to view the exhibition, contact macp@sva.edu.
"AQuÍ TE esPERO"
Andina Marie Osorio, Untitled (She Loves Me), 2024. Image courtesy of the artist. On view at “MA Curatorial Practice Year-End Exhibition.”
Andina Marie Osorio, Untitled (She Loves Me), 2024. Image courtesy of the artist. On view at “MA Curatorial Practice Year-End Exhibition.”
"Aquí Te Espero" is a pause—an inhalation held between presence and absence, between what was and what remains. It lingers in the spaces where words were once spoken and in the silences that followed. "Aquí Te Espero" is not about urgency but the weight of waiting, the quiet resilience of love that does not demand immediate reciprocation. Through photography, text, installations, and video, the artists explore the act of holding space for one another, the invisible threads that connect us beyond time and certainty. To wait is to believe in return or, at least, in the echo of what once was.
This exhibition is curated by Gabriela Valentín.
Artists include Andina Marie Osorio, Eros Dibra, Bianka Rolando, Lev Pinkus, and The Unsent Project (Rora Blue).
To schedule an appointment to view the exhibition, contact macp@sva.edu.
"Was I Ever Really Here?"


Hinda Weiss, After the Desert Goat (2017), still from video. Image courtesy of the artist.
Hinda Weiss, After the Desert Goat (2017), still from video. Image courtesy of the artist.
How different is one person from another? The idea of self and other has been ingrained socially, culturally, and historically. As cultures collide and merge, they become increasingly intertwined, and the lines that once divided them begin to blur. There’s a permeability to the sense of the other. Anyone can find themselves between these blurred lines—a space they may have previously thought themselves on only one side of. It’s not enough to question one’s place in order to understand one’s role as other. To comprehend this permeability is to acknowledge the oftentimes contradictory nature of it. Through various means of investigation: self-parody, interviews, recollections of the archive, and historical analysis, "Was I Ever Really Here?" seeks to explore not only one’s existence as other but also one’s complicity in the process of othering. What does it mean to exist in the in-between?
This exhibition is curated by Sophie Barfod, Kyle Colón, Anajoara Eom, and Yvetta Zheng.
Artists include Rowan Renee, Hyeree Ro, Diana Sinclair, Ari Temkin, and Honda Weiss.
To schedule an appointment to view the exhibition, contact macp@sva.edu.
This exhibition will have a closing reception on Wednesday, April 30, 6:00 – 9:00pm.
"Radial Minds"


Natalia Mejia Murillo, The Weight of Space, 2024. Laser-engraved woodcuts on paper with graphite and iron oxide powder, glass, and branches, 118 x 47 inches. Image courtesy of the artist.
Natalia Mejia Murillo, The Weight of Space, 2024. Laser-engraved woodcuts on paper with graphite and iron oxide powder, glass, and branches, 118 x 47 inches. Image courtesy of the artist.
How do we imagine the alien? Is it a distant other, or does it demand a radical shift in perspective? "Radial Minds" is a speculative space where thought experiments unsettle fixed ideas about life, knowledge, and existence, urging audiences to leave with more questions than answers. At its core, the exhibition blurs the boundaries between disciplines, merging scientific inquiry and artistic speculation. It interrogates the extractive logics of space exploration, mirroring how non-human life is treated on Earth, and it combines planetary sciences, astrobiology, and speculative philosophy to rethink how we define life and habitability. To suggest a different way of looking at the planet, the exhibition proposes radial or pentapodal thinking, inspired by Donna Haraway’s sympoiesis (“making-with”), which rejects binaries in favor of tentacular, multidirectional knowledge systems. Can we rethink habitability beyond human-centered narratives? What if we are the alien? This is not a vision of conquest, but of co-existence, entanglement, and planetary becoming.
This exhibition is curated by Oorja.
Artists include Natalia Mejia Murillo, Raqs Media Collective, and Weina Li.
To schedule an appointment to view the exhibition, contact macp@sva.edu.
This exhibition will have a closing reception on Wednesday, April 30, 6:00 – 9:00pm.
"Tenderly Kept: Publicly Narrating Private Objects"


Manuel Mata, Bullets, Virginia and Me, 2024. Bullet casings. Image courtesy of the artist.
Manuel Mata, Bullets, Virginia and Me, 2024. Bullet casings. Image courtesy of the artist.
"Tenderly Kept: Publicly Narrating Private Objects" is an exhibition at the convergence of material culture, oral histories, and fine arts. You have something in your room that no one else will ever relate to. Whatever story it has can be heard and understood, but never truly felt. It belongs to you not only physically but is bound to you spiritually. It is valuable beyond an economic denomination. It is important beyond justifiable explanations. You know it. You feel it. It is a vessel for something that originated from deep within you, in your memories, in your lived experiences, through your actions with it or around it. It is an inalienable extension of you and your identity. You are not alone. We invite you to join our exploration and find what matters to you within the secret realms of private possessions. Our objects might inspire you to share your own stories.
This exhibition is curated by Abbas A Malakar.
Contributors include Arvind Garg, Austin Clay Willis, Budhaditya Chowdhury, Daniela Angelo, David X Levine, Gabriela Valentin, Hajra Sana, Kushan Bhattacharya, MA Interaction Design, Manuel Mata, Oorja Garg, Paola Pomarico, Payal Arya, Printed Matter, and Tsohil Bhatia.
To schedule an appointment to view the exhibition, contact macp@sva.edu.
"Yes, And"


Addam Yekutieli (Know Hope), Our Side/Their Side, 2015. Image courtesy of the artist
Addam Yekutieli (Know Hope), Our Side/Their Side, 2015. Image courtesy of the artist
"Yes, And" is a group exhibition that takes its cue from the binary frameworks that shape contemporary politics, exploring the possibilities or limitations that arise from the attempt to hold multiple—and sometimes contradictory—truths. Through the work of six artists working across diverse mediums, the exhibition offers a critical reflection on processes of ideological adherence and tribalist allegiance, particularly in light of the deepening polarization and crisis of communication that prevail in the digital age. In mirroring and complicating the dichotomies that underlie social conflict, "Yes, And" sheds light on the ways in which politics of division are employed as strategies of control, asking whether it is possible to resist these divides without blurring differences or promoting neutrality.
This exhibition is curated by Tom Koren.
Artists include Addam Yekutieli (Know Hope), Alicia Mersy, Jonas Lund, Nancy Holt and Robert Smithson, Tora Schultz, and Unga.
To schedule an appointment to view the exhibition, contact macp@sva.edu.
"Walking Onward, Staring Below"


Daniel Blanco, Materas Largas (Long Planters), 2021, photograph. Image courtesy of the artist.
Daniel Blanco, Materas Largas (Long Planters), 2021, photograph. Image courtesy of the artist.
"Walking Onward, Staring Below" brings together artists whose works examines natural processes, mechanisms, and behaviors that have evolved in harmony over millennia. Through delicate symbolic gestures and humble materials, the exhibition reflects on core human qualities—empathy, resilience, awareness, and hope—while questioning the separation humanity has created with the natural world. By engaging with systems beyond their personal experience, the artists reveal the quiet yet powerful forces that sustain all forms of life.
Harnessing the power of metaphor, "Walking Onward, Staring Below" explores the intersections of human perception and the intricate systems that shape existence. Using soft technologies, poetic gestures, and subtle interventions, the artists create a reflective space that challenges conventional perspectives about possible futures. The exhibition invites viewers to reconsider their relationship with the world, fostering a deeper sense of connection, respect, and possibility.
This exhibition is curated by Daniela Marín Aristizábal.
Artists include Daniel Blanco, Juliana Góngora, Julianne Swartz, Gema Rupérez, Ícaro Zorbár, and Juan David Figueroa.
To schedule an appointment to view the exhibition, contact macp@sva.edu.
This exhibition will have a closing reception on Wednesday, April 30, 6:00 – 9:00pm.