Tell us about your project. What inspired the idea?

Rooted was born from the need to carve out a space for Black and Latina designers to feel seen, heard, and valued in an industry that often ignored or marginalized our voices.

I wanted Rooted to be that kind of space but for graphic designers. A design salon where Black and Latina women could come together, share knowledge, and create work that honors our culture and challenges the narrow definitions of what design can be.

What most surprised you once you started working on the project?

While exploring the purpose of my thesis, I had a transformative realization: I was aiming to reframe design education. With the guidance of my thesis advisor, Bobby C. Martin Jr., my approach was restructured for the better. I began developing curricula and creating opportunities to connect women designers in ways the traditional education system had overlooked.

What was a highlight of living and studying in New York City?

I’m from the Bronx, and when it came time to choose schools for undergrad and graduate studies, New York City was the obvious choice. One of the greatest advantages of studying here is the resources available to design and art students. Galleries are just a few subway stops away, top design firms are within walking distance, and in between, there’s always a great cup of coffee to fuel your creativity.

What is something you learned at SVA that you’ll always take with you?

At SVA, I learned the immense value of community and mentorship. Unlike my experience at a larger campus, where building close relationships with faculty was harder, SVA’s smaller, more intimate environment allowed me to form genuine connections with instructors, alumni, and industry professionals.

In just two years, I saw how the SVA faculty cares about your academic success and personal and professional development. They went above and beyond to offer guidance, connect me with industry contacts, and encourage me to push the boundaries of my work. I’ll always carry this sense of belonging and community with me, knowing that the SVA relationships I’ve built will continue to guide me as I advance in my career.

Was there a teacher or course that was essential for you?

Many instructors have been essential to the development of my thesis. I could list them all: Lita Talarico, Steven Heller, Justin Colt, Willy Wong, Deborah Adler, Janine Toro, Nick Ace, Randy Hunt, Andy Outis, Marc Rabinowitz, and countless others. But I am deeply grateful for Bobby C. Martin Jr.’s insightful encouragement and belief in my work. His mentorship has been pivotal in helping refine my vision and bring the project to life.

What’s a favorite piece of advice that a teacher or student shared with you?

One particular statement by Marc Rabinowitz resonated with me. He said, “The classical design canon has never felt more tone-deaf than now. . . . These designers don’t just need a community and a platform; I’d argue the discipline of design needs them.” This powerful notion made me realize that what I was doing wasn’t just a personal ambition but a necessary contribution to the field.

What advice do you have for next year’s students in your program?

Get to know your professors and classmates early—they’re not only your biggest supporters, but the connections you make here will stay with you long after graduation. The MFA Design program is a fast-paced, two-year journey, so make the most of it!

Features

The recent MFA Design graduate discusses Rooted, her design salon for Black and Latina graphic designers.